{"id":954,"date":"2023-11-01T15:01:46","date_gmt":"2023-11-01T06:01:46","guid":{"rendered":"https:\/\/daisishinomaki.jp\/en\/?p=954"},"modified":"2024-01-26T05:44:26","modified_gmt":"2024-01-25T20:44:26","slug":"r5-%e9%81%ba%e6%a7%8b-i-%e4%bb%a5%e9%99%8d-since-then-i-from-now%e9%9c%87%e7%81%bd-%e3%83%bc%e3%83%91%e3%83%b3%e3%83%87%e3%83%9f%e3%83%83%e3%82%af%e3%83%bc-%e3%81%93%e3%82%8c%e3%81%8b%e3%82%89","status":"publish","type":"post","link":"https:\/\/daisishinomaki.jp\/en\/respo\/954\/","title":{"rendered":"R5 since then I from now"},"content":{"rendered":"\n

Organizier team: <\/strong>Daisuke Takeya, Mineki Murata, Yuzuru Maeda, TAKUMICHAN, Mii Maekawa, Maron Shibukawa<\/p>\n\n\n\n

Participating artists and critics: <\/strong>B\u00e9atrice Didier (Belgium), H\u00e9l\u00e8ne Lafebre (Canada), Hector Canonge (the USA), Urich Lau (Singapore), Yeonjeong (South Korea), Evamaria Schaller (Austria\/Germany), Andrew Lam (Hong Kong), Daisuke Takeya, Mineki Murata, Yuzuru Maeda, TAKUMICHAN, Mii Maekawa, Maron Shibukawa<\/p>\n\n\n\n

Local advisor:<\/strong> Chie Kajiwara
Videographer\/Photographer: <\/strong>Robert Cross (Canada), Koishiro Takahashi(Ishinomaki)
Media supporter: <\/strong>Miri Hamada
Poster designer: <\/strong>Manami Seki
Web master: <\/strong>Testuro Nohara<\/p>\n\n\n\n

Supported by: <\/strong>
Education Bureau of the City of Ishinomaki, Social Welfare Council of the City of Ishinomaki, Ishinomaki City Arts and Culture Foundation, Sanriku-Kahoku Shinp\u014dsha (Ishinomaki Kahoku), Ishinomaki Hibi Shinbun Newspaper, Radio Ishinomaki FM76.4, Institute of Reborn-Art Festival<\/p>\n\n\n\n

Subisidies<\/strong>
Field Trip Project Organizing Committee, 3.11 Memorial Network Foundation, WALLONIE BRUXELLES INTERNATIONAL, LASALLE College of the Arts, Canada Arts Council, Ontario Arts Council<\/p>\n\n\n\n

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What exactly are \u201cruins\u201d? \u201c\u907a\u69cb | \u4ee5\u964d since then | from now\u201d is an art project in which researchers and performance artists from Japan and abroad think together with citizens through field research, a symposium, and performance art. Two tsunami ruins in Ishinomaki city leave strong traces of the incident and precious memories from even before. How can we deal with it, utilize it, and pass it on to the next generation?<\/p>\n\n\n\n

The pandemic is coming to an end. \u201cSince then,\u201d people start to move again, mingle, and a new community is born. How will the communities expand \u201cfrom now\u201d, which marks the end of the days that were said to be the \u201cnew normal\u201d? Let’s listen to the wind together and put our hands on the earth. Let us sow the seeds.<\/p>\n\n\n\n

Performance art uses the body as a material. We respond to various social and environmental issues with art, literally using our bodies. Every daily communication can be said to be a performative activity (through the body). Performance art is hidden everywhere in small hand gestures. For ordinary days \u201cfrom now\u201d, an extraordinary free somatic expression that is in everyday life = performance art. Let’s go beyond the border.<\/p>\n\n\n\n

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PROGRAM<\/h2>\n\n\n\n

April 16 Sun.<\/p>\n\n\n\n

Things Left Behind\/Things We Leave Behind\/Things Remain – Symposium on Remains of Everyone Gathering<\/h3>\n\n\n\n

Ruins were created as a result of the disaster, and there was a human will (subject) to preserve them. How will they be actively utilized by the local citizens? This is an opportunity to think about the two earthquake remains museums in the city with historians, art historians, art project specialists, artists from Japan and abroad, local community members, and the audience.<\/p>\n\n\n\n

Contribution\/Review<\/strong><\/h4>\n\n\n\n

How can third parties be involved in passing on the memory of the earthquake? -Through the discussion of “Things Left Behind\/Things We Leave Behind\/Things Remain – Symposium on Remains of Everyone Gathering” –  By Chie Kajiwara<\/strong> (Japanese language only for now. English translation coming in 2024)<\/p>\n\n\n\n

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<\/path><\/svg>Read the texts here<\/span><\/a><\/div>\n<\/div>\n\n\n\n

\u201dThings Left Behind\/Things We Leave Behind\/Things Remain – Symposium on Remains of Everyone Gathering”
Symposium Report  By Maron Shibuhaka<\/strong> (Japanese language only for now. English translation coming in 2024)<\/p>\n\n\n\n

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<\/path><\/svg>Read the texts here<\/span><\/a><\/div>\n<\/div>\n\n\n\n

Photo Gallery<\/h4>\n\n\n\n
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April 19 Wed.<\/p>\n\n\n\n

Let\u2019s go to a farmland!<\/strong><\/strong><\/h3>\n\n\n\n

DAIS Ishinomaki, located in the Mano ward of Ishinomaki city, will be slowly and organically formed as a multilayered cultural facility where different communities can jointly experience art, food, and nature in the area. Wild weeds have grown thick and the vast site that has been neglected will be regenerated as farmland by a group of amateurs.<\/p>\n\n\n\n

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April 20 Thu.<\/p>\n\n\n\n

Performance art event #1 Diffuse reflection at night<\/strong><\/strong><\/strong><\/h3>\n\n\n\n

Venue: Theater Kinemathica (Open 17:00, Start 17:30)\u3000
Cover charge: 2,000 yen (including 1 drink)<\/p>\n\n\n\n

A series of approx. 10 minutes performances by 11 performance artists from Japan and abroad. The rich individuality of each artist explodes, expanding the possibilities of somatic expression. Many audience wondering \u201cwhat is performance art?\u201d Joined us  at this rare opportunity for a special experience.<\/p>\n\n\n\n

Photo Gallery<\/h4>\n\n\n\n
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April 21 Fri.<\/p>\n\n\n\n

Performance event#2 Ishinomaki as a Performance City<\/strong><\/strong><\/strong><\/strong><\/h3>\n\n\n\n

Various locations citywide.<\/p>\n\n\n\n

Photo Gallery<\/h4>\n\n\n\n
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April 22 Sat.<\/p>\n\n\n\n

Performance Art Workshop<\/strong><\/strong><\/strong><\/h3>\n\n\n\n

Venue: DAIS Ishinomaki
Fee: 2,000 yen (Plus 1,000 yen with the performance event on April 20)
Max. Participants: 20 (18 years or older)<\/p>\n\n\n\n

1pm ~ 1:45pm
B\u00e9atrice Didier (Beligium) Workshop \u201cHERE AND NOW WITH BODY\u201d<\/p>\n\n\n\n

Experimental theatrical exercises to confront and explore own ways of \u201cbeing here and now\u201d. Focus on breathing, controlling energy, concentration skill, and awareness of the body in relation to; space, time, other bodies, and an object as a “partner\u201d.<\/p>\n\n\n\n

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2pm ~ 2:45pm
Hector Canonge (USA) Workshop \u201cPERFORMING THE BODY\u201d<\/p>\n\n\n\n

Workshop that explores corporeal movement and somatic expression through the technique of somatic energy developed by Hector Canonge. Participants with no experience are invited to participate and express their inner performative self.<\/p>\n\n\n\n

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April 23 Sun.<\/p>\n\n\n\n

Chodo-Festival participation<\/strong><\/strong><\/strong><\/h3>\n\n\n\n

Participated in an outdoor performance (with Ishinomaki\u02bcs diverse communities) + international cuisine + art exhibition \u201cSappari Chodo Stenenda-on(abbreviation: Chodo Fes)\u201d.<\/p>\n\n\n\n

Through a heterogeneous performance woven by diverse subjects, regardless of disabilities, nationality, or genre of art, we are able to promote the richness of nature’s way of life in this multi-purpose outdoor art event held in Mano, Ishinomaki City that reconsiders the meaning of art as a means of living and the philosophy of coexistence. The title is in the Ishinomaki dialect and means \u201cI cannot sit still at all.\u201d It was a praxis aimed at the future of the region and a circulative society by tickling the post-COVID pandemic norms with the \u201cChodofes thinking\u201d.<\/p>\n\n\n\n

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